The opposite to butter yellow, yet just as popular, neon segues from summer 2019 well into autumn and winter, coming up in surprising combinations: Who knew flouro green could work so well with brown? Or that highlighter yellow was friends with dark denim? Either way, you've had more than ample time in 2019 already to get used to the idea, so don't go packing away your summer brights when the colder weather comes.
In addition to bovver boots, a treasure trove of key pieces to plunder awaits you: Some you may own already (dig out that camel sweater), but a few entirely new-looking items will probably be worth the hype (that JW Anderson trench coat is going to sell out so fast). We chart those below, as well as all of the teeny-tiny details that make a difference, like a choker necklace—they're back—as well as the most of-the-moment colours, prints, fabrics, silhouettes, formulas and overarching themes that make up autumn/winter 2019's top trends. From dark floral dresses (Paco Rabanne wins) to the kind of tights every fashion girl will wear when the centigrade drops (with crystals on, please), here's what's what for autumn.
"A/W is always a moment for incredible outerwear, and this season it was no exception. For the most part, it was the bigger the better; oversized shapes, duvet dressing, blanket capes and more," says Elizabeth von der Goltz, Net-a-Porter global buying director. "Oversized cannot be mentioned without talking to the trench coat and the bigger the better with billowing sleeves at JW Anderson, cape draping at Burberry and classic maxi coats at Khaite. Big coats marked the opening of the Max Mara runway in blue, yellow and teal. Hot pink was the favourite at Jacquemus and Valentino, whose oversized silhouettes gave this typically feminine colour a masculine twist. And last but not least is the puffa jacket, which received an elegant update with a new reference to duvet dressing. Padding, quilting, floral embroidery and organza layering came from the likes of Margiela, Dries Van Noten and Toteme."
Ralph joined the fashion industry as a tie seller. He tried to introduce his own tie designs for the company, but his enthusiasm wasn’t perceived well. So, he left the company and launched his own mini-business: he sewed his first ties out of rags and distributed them to small shops. The most defining order of 100 dozens of ties by Neiman Marcus has radically changed Ralph’s life. He expanded his business by introducing menswear and womenswear lines. Currently his brand is worth $7.5 billion. Ralph Lauren’s success story inspires many novice designers. The first Polo logo was introduced in 1970.
Yves Saint Laurent started his brand in 1962 after working at the house of Dior, where he was famously appointed head designer at young age 21. Many of fashion’s most iconic creations can be attributed to YSL, including the women’s tuxedo jacket, the high-fashion peacoat, and the shirt dress. In addition to iconic clothing, he was also among the first designers to feature non-white models. Yves stayed at the brand until his retirement in 2002. He died in June 2008.
Tastes differ. And when it comes to fashion, they differ even more. However, I’ve managed to come up with a list of top 5 fashion designers that can’t leave any woman indifferent. They are adored by fashion artists and their regular customers all over the world, and their incredible, jaw-dropping collections speak for themselves. Check out the list of the most famous fashion designers of all time:
Purple isn't for everyone, but it certainly made a bold splash across the runways of A/W 19. Major names stood behind the regal hue, including Dries Van Noten and Comme des Garçons. Many of the purple-centric outfits you'll come across featuring a spectrum head from to toe, with different shades thrown in for good measure—but IRL, we predict this shade will become more of an accent to darker winter wardrobes, so feel free to translate this into your own closet alongside black, white, navy and brown.
A designer with a notorious past, Christian Dior was also known for being in cahoots with the enemy during WWII, when he dressed Nazi wives and French collaborators in his designs. Despite this questionable choice, he still rose to prominence during the late-forties when the war was over…primarily due to his unparalleled mastery of line and shape. He gave women a desirable “flower silhouette” which always featured a nipped-in waist, a full, voluminous skirt, and a feminine, corseted bodice. Often, the hips of his suits and dresses were padded to balance the bust line and accentuate the wasp-waisted effect.